Topic: Media Research Center
We noted earlier this year when the Media Research Center had a freakout when the rebooted cartoon "She-Ra and the Princesses of Power" added a character who wasn't heterosexual and another character who had two dads -- as if acknowledging that gay people exist and aren't inherently evil was an insidious "gay agenda." Well, "She-Ra" has continued to refuse to be as heterosexual as the MRC demands so the freakouts have continued.
Alexa Moutevelis complained in an Oct. 30 item that not only is there a nonbinary character on the show, a nonbinary actor is voicing them:
Prepare for trouble! It looks like the new season of Netflix’s kids' show She-Ra and the Princesses of Power (coming November 5) will feature “the first nonbinary actor to voice a nonbinary animated character in a recurring series role.” Just what parents have been waiting for!
Netflix’s LGBTQ Instagram account Prism was so excited to make the announcement that they produced a video of performer Jacob Tobia talking about the character. Tobia, who recently wrote a memoir titled Sissy: A Coming-of-Gender Story, said, “I play a character called Double Trouble who is a non-binary, shape-shifting mercenary, so functionally, I’m playing myself.”
Moutevelis complained about the show being "propagandizing" and "indoctrination" -- as if she wasn't doing the exact same thing -- and concluded by ranting, "She-Ra already has featured gay characters and storylines in the past. It looks like season 4 will be more than Double Trouble – parents, beware!"
On Nov. 10, Elise Ehrhard complained further about this nonbinary character:
In season four’s She-Ra, released Nov. 5, the “non-binary” character Double Trouble is really just a shape-shifter like the countless other shape-shifting characters that have existed in past children’s cartoons and world mythology. Calling classic shape-shifters “transgender” is a new trope of the “woke.” For example, in Rick Riordan’s blockbuster mythological children’s book series, Magnus Chase, a shape-shifting demi-god wearing a hijab is now considered a “transgender” Muslim.
Memo to the left: shape-shifters are not real and men and women cannot change their biological sex. If the left gets to stamp “transgender” on every shape-shifting character, then Robin William’s Genie would have to be called gender dysphoric because he morphs into Joan Rivers, among many other impressions, while singing “Prince Ali” in Aladdin.
The only distinction of Double Trouble is that the voice sounds like a campy gay male from Sex and the City. S/he says “darling” a lot and tells one of the princesses “that outfit really isn’t working for you.” The way transgenderism itself is constantly channeling homosexual stereotypes may explain in part the calls by some lesbian and gay activists to separate themselves from the “T” part of their movement.
Ehrhard went on to mock the fact that nonbinary people would like to be addressed by their preferred gender (or nongender, as it were):
Double Trouble says he loves “the thrill of seeding destruction and chaos,” which pretty much encapsulates the entire LGBT movement’s encroachment into pre-pubescent children’s lives. It is very important to transgender activists to confuse children about both grammar and identity. Everybody, including the villain mastermind, refers to Double Trouble as “they” and "them." “Even the most evil person on the planet doesn’t misgender people, because that would be rude,” Tobia said. You can try to destroy the universe and the English language, but don’t you dare “misgender” anybody!
Ehrhard then issued a sexist attack on the show's writing staff for not being sufficiently male:
Much hoopla has been made of the fact that this contemporary She-Ra has an all-female writing team (even though biological sex is supposedly not fixed). That being the case, I am embarrassed for my sex because the show spends an inordinate amount of time having princesses kvetch at each other and argue about their feelings. I am middle-aged and have more patience, but it must be torture for the kids to wait for action in between endless bickering between Princess Glimmer and Adora while other heroes take “me-time.” Is this really what an all-female writing team is supposed to produce for an action cartoon? If so, it might be time to add some testosterone to the mix. That is, if anybody in Hollywood can still acknowledge biological reality at all.
Ehrhard and Moutevelis should perhaps obsess a little less about cartoons.