Topic: Media Research Center
The Media Research Center generally hates LGBT people and thinks the fact that they're allowed to be on TV is evidence of some sort of "agenda." A couple recent posts fed that "agenda" obsession.
A Feb. 18 post by Lindsey Kornick complained about a documentary about LGBT representation on TV, denigrating them as "depraved" people engaged in "perversions":
Apple TV has truly hit the peak of progressiveness, and there’s no turning back. The five-part documentary series Visible: Out on Television spells out the true agenda behind LGBTQ representation on television. Namely, the idea that “television is at its best” when it’s being used as a tool for the gay community.
All five parts, which premiered on February 14, lay out the history of LGBTQ representation on television. It begins with the first reference to homosexuality in McCarthy hearings from 1957 and moves to the present day with every major TV event in between those times. The premiere episode “The Dark Ages” dives into this record with their agenda front and center, summing up all the details and posturing we'll be hearing for over five hours. That includes the notion that television is only "at its best" with several LGBTQ characters.
Considering the second episode is literally called “Television as a Tool,” it’s safe to say that the goal is clearly indoctrination and normalization of LGBTQ lifestyles. Even in the documentary, there’s no hiding that many forms of gay representation became excuses for “liberal diatribes” to millions of viewers. There is even special attention given to the gay activist groups such as Act Up and GLAAD, noting that “using TV and the media was the whole game.” Referencing these groups alone removes all doubts of this being anything but political.
Seeing the scope of television move from simply placing gay characters on screen to openly celebrating every perverted thing they can do is jarring enough, but it gets worse. The show goes so far as to co-opt other characters from popular shows to simply act as gay representation for them. And here I thought liberals didn’t like appropriation.
CNN calls Visible: Out on Television “a reminder how far both TV and society have come.” In a way, I agree. It shows us how far television has fallen to blatant propaganda and depraved activists. And it’ll never be far enough for the progressives.
MRC chief Brent Bozell, meanwhile, used a Feb. 20 post -- presented as "a side on the website The Rift" -- to deny he's a homophobe while he demands that the Disney Channel ban all LGBT characters:
There should not be more homosexual characters in animated Disney movies and there should not be fewer. There should be none.
Nor should there be anti-homosexual characters. Nor Catholics or anti-Catholics, nor Jewish people or anti-Semites, nor climate change proponents or climate change deniers. Any character’s identity and back story that doesn’t propel a simple children’s tale reflects the preoccupation of adults.
This debate is not about presenting characters that are homosexual. This is about presenting characters as homosexuals. This is about promoting the gay lifestyle. But why do either?
Please, please: Don’t accuse me of being homophobic. That dog just won’t hunt. Most every adult watching Paul Lynde on Hollywood Squares, or David Hyde Pierce on Frasier, or Charles Nelson Reilly on Laugh-In knew the actor was gay… and no one cared. All were there as comedians who happened to be gay.
Victimology. I tire of it. I am a Roman Catholic. There are 51 million of us. We demand that Disney actively and only positively promote Catholic characters! 65% of Americans are Christians. Disney must have 65% of its characters portrayed as Christian role models!
Disney would never allow that. Disney won’t allow a single Catholic character in its animated films. I wonder if you can find a single Christian. That, you see, is the projection of an agenda.
So for Bozell, being gay is a "don't ask, don't tell" kind of thing? Because you know that if Lynde or Reilly had admitted on TV they were gay, he would be agitating to ban them from the airwaves.
Bozell then complained that Disney removed the "Siamese Cat Song" from its remake of "Lady and the Tramp" because of its perceived racism: "Did a single child anywhere on the face of Planet Earth ever listen to that song and find racist overtones? What about the song that followed, an Italian song about Italian food sung by two characters parodying Italians? Why is that still there? Out, out, OUT!"
Bozell conlcuded by huffing: "None of this has anything to do with entertaining kids and everything to do with indoctrinating them into leftwing ideology. Adding more LGBT characters to Disney movies just moves the company further from its purpose." Bozell's purpose, meanwhile, is to censor all traces of LGBT representation from the public airwaves, so his complaint about "indoctrinating" is wildly hypocritical -- and, yes, Brent, that's quite homophobic.