Topic: Media Research Center
The Media Research Center has long complained that woman who seek abortions -- even fictional characters -- are not shamed for doing so and that they and abortions providers are not smeared as Nazis. Well, the're on that kick again. Teirin-Rose Mandelberg complained in a Jan. 22 post ofering up a bizarre caricature of abortion-rights supporters:
Today’s a high holy day for lefties. On this date, January 22, 1973, the Supreme Court ruled in Roe v. Wade and mass infanticide became the law of the land.
Abortion clinic volunteer Lauren Rankin marked the occasion by complaining that “We Still Have a Long Way to Go.” Forty-eight years and 63 million lives later, the left still isn’t satisfied. What’s new?
Rankin wants laws updated so women can have access to dangerous abortion drugs via mail without a doctor's visit. Ostensibly, she’s worried about women being too nervous about COVID to go to an abortion clinic. But social distancing is a pretext so women can abort even more conveniently -- another leftist attempt to overstep and gain control.
Hollywood tries to "normalize" abortion and celebrities use it as a “dedicated to my craft” badge of honor. Having an abortion constitutes popularity.
Not only have media outlets been ignoring the hundreds of thousands of pro-life Americans who participate in the March for Life, but they've been promoting and normalizing abortion on television. This has been going on for years, and 2020 was no different from 2019 and 2018.
Despite coronavirus canceling and postponing tv production for several months, they still managed to squeeze in several abortion storylines. Here's how abortion was portrayed on television last year.
In order for abortion to seem normal, viewers have to be bombarded that it’s no big deal.
Downs also pushed the dubious claim -- citing only an anti-abortion website -- that a chemically induced abortion can be reversed. And while she huffed at "leftist propaganda" on abortion, she was not above inserting some propaganda of her own:
It’s a biological fact that life begins at conception, meaning it's a child, the whole time. Not only is it a child, even going by the pro-abortion logic that it isn't a child until a later stage, it "would be" a child.
For an “honest abortion story” that is “diverse,” rather than just the one pro-abortion perspective television wants us to see, it would also include women experiencing not just the loss of their children, but suffering from psychological and physical effects, and from regret.
Moutevelis returned in a Feb. 24 post to complain some more about "abortion propaganda" on TV -- unironically sounding a lot like a propagandist herself:
Pro-abortion columns are notorious for lacking facts and building bad faith strawmen to knock down, but I think this is the first time I’ve seen such a poorly constructed argument in a major paper like The Washington Post. If you're going to call for more baby slaughter on entertainment TV, put some thought into it.
Even the premise of the article is ridiculous. Apparently, the author just happened to be watching a show from 2019 that had an unexpectedly pregnant character and so she decided to rant about there not being enough abortions on TV. What editor authorizes an op-ed based on an obscure show that’s years old and includes no research to back up its hypothesis or make it relevant to today?
Somehow, on Friday afternoon, the WaPo powers that be allowed a Kate Cohen article to be published online complaining that the 2019 Netflix series Atypical did not include the preborn baby slaughter she’d wanted.
In fact, if she had made any attempt at research, she would have found that in 2019, The New York Times said abortions were “unapologetically” on TV “at record levels.” If she is still stuck in the past consuming media from 2019, I can also offer her the news that in that year, actress, director, and producer Elizabeth Banks joined the Creative Council at the pro-abortion Center for Reproductive Rights (CRR) to “help destigmatize abortion by sharing and supporting women's stories” in the entertainment industry. Or maybe she could read her own outlet’s The Washington Post Magazine piece that same year about “abortion rights…winning in Hollywood” because of Planned Parenthood consultants.
But Cohen, who wrote this column based on her own outdated anecdotes, with no statistics, facts or interviews to back her up, had the audacity to lecture, “Those who contribute to the cultural space have a responsibility to consider the historical and political context into which their work will land.” Maybe she should look in the mirror.
Written like a true propagandist for the cause, where opposing arguments must be obliterated and the people who make them must be stripped of their humanity.