Topic: Media Research Center
The Media Research Center regularly complains that there are too many gay people on TV, and it's quite unhappy that the Hallmark Channel decided to make one of its trademark Christmas romance movies featuring a same-sex couple. So when not only the Hallmark Channel but also the Paramount Network debuted Christmas movies featuring same-sex couples, Sergie Daez was on hand to sneer at them:
On the first day of Christmas, my true love sent to me . . . an LGBTQ movie.
That could seriously be a legitimate advertising line for Paramount Network, which is releasing an LGBTQ+ Christmas themed film called Dashing in December, according to popculture.com. Written as a romantic comedy and directed by Jake Helgren, the film will be released in its titular month on Sunday the 13th this year. Meghan Hooper, EVP and Paramount’s Head of Original Movies and Limited Series, stated that “This feel-good project captures the importance of inclusive storytelling, the power of love and the spirit of the holidays all rolled into one.”
Ah, yes, inclusive storytelling. The highest of all virtues that calls for everything to be sacrificed so that the anti-family beliefs of 4% of the country’s population can be imposed on everybody. Apparently Paramount Network believes that a lifestyle centered on pleasuring the self captures “the power of love” and “the spirit of the holidays.” Leftists will probably laud the film as the next Christmas classic along with Rudolph the Red-Nosed Reindeer and Frosty the Snowman.
This is just another attempt by the movie industry to brainwash the masses so that they can believe that a turbulent lifestyle is idyllic.
And Paramount Network isn’t the only company kowtowing to gay agenda tyrants. According to popculture.com, Hallmark Channel has also started producing content centered on LGBTQ+ characters this year. Not only did they release a film that featured a same-sex wedding in August (called Wedding Every Weekend), they are also producing a film called The Christmas House, with a plot on child adoption by a gay couple.
Naturally, Hallmark didn’t describe this as leftist propaganda, but Michelle Vicary, who is an EVP programming for Hallmark, stated that "Our holiday table is bigger and more welcoming than ever." How inclusive and virtuous these people are.
What people need at the end of a tough year is for the leftist agenda to leave them alone and stop imposing the lifestyle of the few on the many.
If those who want to see same-sex Christmas movies are "gay agenda tyrants," does that make Daez and the MRC anti-gay tyrants?
Daez is emerging as the MRC's chief gay-hater. On Dec. 2, Daez had a meltdown over the film "The Prom":
The new film The Prom is, according to Indiewire.com, “every teenage girl’s dream: The high school PTA has just announced they’d rather cancel prom than let you bring your girlfriend, when a gaggle of garishly dressed Broadway stars you’ve never heard of storms in singing, ‘We are gonna help that little lesbian…’” This sounds like a woke fantasy more than anything else.
Indiewire.com claimed that the musical romantic comedy film “has all the makings of a classic Hollywood musical: Haughty urbanites descend reluctantly on a small provincial town seeking validation and instead find love, connection, and renewed life’s purpose.” But even they admit that the description is only accurate if one puts aside “its impassioned overtures for LGBTQ+ rights.”
“All the makings of a classic Hollywood musical.” Yeah, right.
The Prom doesn’t sound like a classic Hollywood musical at all. It seems to be more of a typical Hollywood lecture on how everybody should accept the LGBTQ+ lifestyle. Those types of lectures are radical left propaganda. They are not “adorable,” not “feel-good,” not “entertainment,” and definitely not what “we needed this year.”
A week later, Daez had another anti-gay meltdown, this time over Charlize Theron's idea to remake "Die Hard" with a lesbian theme:
It didn’t seem possible to make 2020 crazier than it already was, but then somebody had the bright idea of producing LGBTQ Christmas movies for the holiday season. Hijacking the holidays for new LGBTQ propaganda was bad enough, but now actress Charlize Theron is planning on ruining an old holiday film with a new remake. Obviously, film companies do this all the time, but Theron is planning to ruin the film with LGBTQ propaganda.
What a great step forward for mankind. One can already hear the gushing of Twitter’s woke mob over the “inclusivity” and “representation of minorities” in the enterprise. Why not make “replace” culture a thing and do a lesbian remake of Braveheart with Wilhemina Wallace, or of Gladiatorwith Maxine Decimus Meridius. Who would not be entertained by that.
This is a worse idea than the LGBTQ Christmas movies.
You know you’re old when you can think back on a time when Cartoon Network proudly gendered their cartoon characters. Nowadays, “The Powerpuff Girls” wouldn’t be considered inclusive enough for the children’s entertainment network. Case in point: the animation channel’s latest social media post which tells kids that being a pansexual genderqueer androgynous whatever is just as normal as being a boy or a girl.
Cartoon Network, like almost everything else in this earthly realm, is seemingly suffering from a bout of leftwing crazy.
On December 14, the channel’s Twitter account posted a series ofeducationalcomic strips featuring trans propaganda for the edification of viewers, most of which are children obviously. In any normal circles, this would be viewed as the opposite of kid friendly or educational.
Still, the channel captioned its post, saying, “Here's to not only normalizing gender pronouns, but respecting them, too. Whether you use he/she/them or something else, we acknowledge and LOVE you!” What they meant to say is, here’s to normalizing mental illness in innocent schoolchildren.
Matt Philbin had to weigh in too, which he did in a Dec. 30 post in which he served up the familiar MRC lament of too many gay people on TV:
You thought journalism was hurting? Not at all. Consider: a pandemic is raging, businesses are being starved by lockdowns, and a whole lot of people don’t believe the results of the presidential election. But back on Nov. 24, USA Today had the resources to devote 2,300 words to gay actors complaining about straight actors getting too many queer roles.
Not that the problems of a self-obsessed subset of an insular and frivolous industry aren’t fascinating. Who among us can’t say exactly what we were doing when we heard the news that Selena Gomez was going to play a lesbian mountaineer?
And nobody really wants accuracy. Oliver cited numbers from GLAAD: in 2019, 18.2% of major studio releases included characters that were “lesbian, gay, bisexual, transgender and/or queer.” And, “On television, LGBTQ characters are projected to represent a record high of 10.2% of series regulars on prime-time scripted broadcast series.”
LGBT people make up 4% of the population. What they’re shooting for is over-representation. Yet Oliver lamented “the scarcity of roles available for out LGBTQ actors to play LGBTQ characters.” He quoted a “gender and sexuality studies professor” who says, “It would be nice if there were enough LGBT roles that anyone could play them because there wasn't any scarcity of representation, However, that’s not the case.”
It’s a real dilemma. You have too many queer actors in an industry that’s already pushed queer content and characters well beyond any semblance of realism.
Clearly, the MRC is not hurting that it can affort to have Philbin spend nearly 450 words ranting about a newspaper article that failed to hate LGBT people the way he demands.