As we've noted, the Media Research Center's Tim Graham has a bit of a problem with liberal artists getting any kind of positive review; apparently, he believes that the only reason that critics would like liberal-leaning art or music or film is because the critics themselves are liberal too, and that said praise equals an endorsement of the views of the artist.
Which brings us to a pair of Dec. 30 NewsBusters posts by Graham in which he disapprovingly of critics citing liberal-leaning works as among the best of 2006. The first post complains that Washington Post critics "were dropping some liberal (and radical, even Marxist) politics into their choices," and that one music critic in particular "had two liberal/radical Bush-hater favorites on his Best list." That would be the Dixie Chicks and the Coup; Graham then cites noted music critic Brent Bozell's less-than-glowing review of the Coup ("politically noxious") in which he, like Graham, disapproved of the group because he didn't like their politics. Graham goes on to take Post music critic J. Freedom du Lac to task for his name -- it was taken from the line "Freedom's just another word for nothing left to lose," from the song "Me and Bobby McGee" -- and for the offense of having San Francisco hippies as parents.
Another Dec. 30 post by Graham took offense at Entertainment Weekly critic Ken Tucker selecting Keith Olbermann and the addition of Rosie O'Donnell to "The View" as among his best TV of 2006. Graham adds: "It's quite knee-jerk of Tucker to assert that Rosie is the apostle of 'common sense' and the ninja of 'barbed wit.' She agrees with me, therefore she is brilliant and witty. And her conservative opponent eats paste."
No less knee-jerk, we would venture to say, than automatically presuming there is no artistic merit in art that does not toe the conservative line.
UPDATE: Graham's review of the reviewers continues: A Dec. 31 post cites "more guess-what-I'm-liberal picks of the Washington Post arts writers," bashing one for preferring "the knocking-boots Jesus of 'The Last Temptation of Christ' " over "the 'troubling' literal approach" of "The Passion of the Christ." (Did Jesus "literally" have that much blood in him?) We also learn that Graham is not a Fugazi fan.
A Jan. 1 post attacks another Post writer because she purportedly "celebrated the new ballet where George W. Bush assaults women and kills them." He then cites his Dec. 18 review of the Post's review, once again assuming without evidence that a positive review of a work of art equals endorsement of the political views contained therein.
And another Jan. 1 post complains that Time's picks for the top political cartoons of the year "certainly have a liberal tilt" because "Republicans and conservatives are mocked "while "[n]one of them mock American liberals."