Besides his bogus defense of a murderer, that is. From Cashill's May 19 WorldNetDaily column:
If there is any one publication that cannot be considered a shill of the New World Order – as more than a few e-mails accused me and/or WND of being – it is the New American, the journal of the John Birch Society. When I did daily talk radio, I subscribed to the publication because of its reliable, tough-minded reporting.
This would be the same New American that not only opposes fluoridation of water but denounced rock 'n' roll at some length in 2002:
The first theme of the rock and roll counterculture, as everyone knows, was sex. Not, of course, the old-fashioned kind that cemented marriages and begat children, but the modern, recreational kind, the kind that has produced a pandemic of venereal diseases, abortions, unwed mothers, and broken homes.
Then there's the occultic backdrop so common these days in rock music, and not just among notorious heavy-metal poseurs like Marilyn Manson and Ozzie Osbourne. What are we to make of an artist like Tori Amos, a sweet-voiced, low-key performer whose songs (such as "Father Lucifer") and stage performances are laced with blasphemous imagery and convey a ferocious hatred of Christianity?
Bono, along with many other influential rock stars, is a shrewd propagandist for the cause he advocates. Not all propaganda, after all, emanates from Goebbels-style ministries.
In keeping with the requirements of mass culture, much of rock music encourages severing personal ties: to family, to church, to tradition. Children are incited to rebel against their parents, marriage and sexual purity are sneered at, and traditional modes of dress and conduct are deliberately contravened.
More recently, taboos like homosexuality have also come out of the closet, thanks in no small measure to homosexual rock groups like Queen and the Village People, whose 70's-era anthems to deviant behavior helped set a precedent for frank and open treatment of the subject in the media and in other venues of mass entertainment.
Fortunately, a wide variety of genuinely uplifting, edifying music is still available, from the timeless works of the classical masters to the refined rhythms of the Big Band era, the soulful romance of Hit Parade favorites, and many other wholesome genres. Winning the culture war requires us not only to understand the baneful effects of the "diabolical bawling and twanging" of today's popular music but also to seek out the refining and even ennobling influence of music at its best.