Scott Lively wrote in a Nov. 4 WorldNetDailiy column:
Years ago I spoke at a Bible conference in Bournemouth, England, which opened numerous doors to missionary adventures for me. One was an area of personal study and travel that greatly expanded my understanding of how Satan and the demonic realm accesses and operates in the physical world. That door was opened during a break in the conference when one of my hosts played "The Rape of Europe," a documentary by British evangelist David Hathaway. The title frames the Greek myth of the rape of Europa by Zeus as a metaphor for the cultural rape of Europe by Islam. That myth, depicted on the euro currency, features Zeus/Satan in the form of a bull with crescent shaped horns being ridden by a woman, Europa.
The Rape of Europe (2002) is a work of compelling scholarship, carefully documenting the demonic origins of the European Union, framed as the fulfillment of Bible prophecy. Released before the Soros Open Borders agenda became overt globalist policy, it is also prophetic of today's geopolitical realities.
The film includes commentary about the two primary exhibits of Berlin's Pergamum Museum. The first is the Pergamum Altar, called Satan's Seat in Revelation 2:13. The second is Babylon's Ishtar Gate, historically called the "Gate to Hell" because it is decorated with 337 images of Marduk, the serpent god: 337 being symbolic of Sheol (hell) in Hebrew numerology. In demonology, Marduk (aka Bel, aka Baal, aka Zeus) is Satan, and Ishtar (aka Astarte, aka Ashteroth, aka Europa) is Satan's female consort.
Hathaway argues persuasively that Germany, or more specifically it's political creation called the European Union (established through the Treaty of Rome), is the reemergent Roman Empire predicted in the "four kingdoms" prophecy of Daniel 2. Few Christians today realize that Adolf Hitler's "Third Reich" was the third iteration of the Holy Roman Empire in Europe. Nor is it widely known that the plans for the EU were originally drawn up by Hitler.
Lively also appended a link to the film on YouTube.
Actually, the film that Lively claims is "a work of compelling scholarship" ... isn't. One reviewer wrote: "Unfortunately, nearly everything in the video is untrue—both historically and biblically. There are some facts in the presentation—it is nearly impossible to talk for over an hour without some facts slipping in—but the way it is put together makes us look at the wrong direction."
The reviewer, Marko Joensuu, pointed out that there's "very little if no historical evidence" to support the film's claim that the Pergamum (or Pergamon) Throne is the "Satan's Seat in Revelation 2:13." He then wrote regarding the film's references to the rape of Europa:
First, this kind of mixing of Christian imagery with Greek mythology is deeply problematic, and it has to be justified, as it easily leads to accepting ‘revelation’ from false—even demonic—sources. This kind of mixing of sources has been the Achilles heel of the modern-day prophetic and charismatic movement.
Second, Hathaway’s interpretation completely ignores what is clearly presented in Revelation 17.
Third, it is not historically accurate.
About the Lively-embraced claim about the Pergamum altar, Joensuu wrote:
It is problematic to use Hebrew numerology in prophecy, as it is the study of the occult meanings of numbers. Don’t let the word ‘Hebrew’ in Hebrew numerology deceive you, as it really is an Assyro-Babylonian-Greek system adopted by the Jews that has very little to do with the Bible and a lot more to do with horoscopes and occultism.
But that doesn’t really matter, as the Ishtar gate isn’t actually decorated with 337 snakes at all! Instead, the wall and the gate are decorated with dragons, lions and snakes, symbolising the major gods of Babylon.
Joensuu also blows apart the film's argument that Hitler's third Reich and the European Union were extensions of the Holy Roman Empire:
The historical problem Hathaway faces is the apparent discontinuation of the Roman Empire, as it was destroyed by the Germanic tribes. He solves this problem by claiming that the Roman Empire was in fact never discontinued but that, essentially, any form of German government after the destruction of the Roman Empire presents the continuation of the Roman Empire.
This leads Hathaway to another problem—somehow, he has to link Rome and Babylon with Germany.
Also, Hathaway places the timing of the feet’s destruction with the 2nd coming of Christ, rather than the birth, death and resurrection of Jesus.
But how sound is that interpretation? Not very sound.
To begin with, Daniel would have called any Germanic empire the fifth kingdom rather than the fourth, as that’s the logic of his narrative—one empire taking over another, with their territories overlapping.
Joensuu went on to write that "There are so many historical errors and falsehoods in Hathaway’s presentation that it seems clear that his main sources have been the internet conspiracy theorists." Lively, of course, loves his conspiracy theories, especially anti-gay ones -- he did, after all, write a WND-loved book that bizarrely portrayed the German Nazi Party as "a neo-pagan, homosexual cult" -- so this film is very much up Lively's alley.
Indeed, he highlights the postwar period in Germany "when the United States had de facto ownership of the Seat of Satan as the dominant power of the Allied occupation of Germany until the Berlin Wall went up," adding: "That 1945-61 window is precisely when America was shifted by our Supreme Court under the control of anti-Christian Justice Hugo Black from a biblical to a humanist foundation, and an army of freshly legally empowered militant atheists began systematically dismantling our Judeo-Christian infrastructure from coast to coast."
Yeah, totally not a surprise that Lively would embrace this film.