Topic: Media Research Center
What LGBT stuff has the Media Research Center been freaking out about lately? Let's take a look-see!
Tim Graham was offended that "leftist drag queen Taylor Mac" was the subject of a news story simply because he was awarded a MacArthur "genius grant," which Graham portrays as evidence of how Taylor Mac is "so indulged by the left." Graham also declared that the story on Taylor mac was "a typical LGBT story" because it included "wacky demands about pronouns."
Ryan Foley keeps up the MRC's hatred of Olympic skater Adam Rippon, insisting that Rippon's "claim to fame" is his "criticism of the Vice President" (but apparently not that he is, you know, an Olympic-caliber skater) and that a recent TV appearance was "a public service announcement for the LGBTQ movement." Foley then served up an oddly capitalized lecture to Rippon on his claim that LGBT people lack a voice because of anti-gay politicans like Pence: "Perhaps Rippon fails to realize that the LGBTQ movement has captured the support of nearly all of the country’s major institutions, including the media, Academia, Hollywood, and the Courts."
Alex Nizberg, meanwhile, is mad that there is a gay person on TV (let alone more than one):
Set for a March 18 premiere, CBS’s new and upcoming show Instinct confirms yet again the media’s unflagging promotion of the LGBT agenda. The program will feature a “gay lead character” according to a January 6th AP article.
Alan Cumming, the actor playing the lead part, lambasted Donald Trump: “His crime procedural ‘Instinct’ arrives at a time when Cumming said ‘the president is actively condoning, by his silence, violence and persecution against the LBGT community.’”
The Goldeneye and X-Men 2 “saluted CBS for committing to a series with a married gay couple,” according to the piece. “In real life Cumming, 52, has described himself as bisexual and has a husband, Grant Shaffer. But he was also once married to a woman.”
Last year on an episode of CBS’s Madam Secretary, one of the characters said that he was bisexual. Also last year, CBSN released Gender - The Space Between.
Lindsay Kornick complains that "Madam Secretary" engages in "more liberal pandering" by focusing on "a new character's sexuality":
The March 18 episode “Refuge” involves the administration discovering a raid and the illegal arrest of members of an LGBTQ nightclub in Abhkazia. Although homosexuality is legal in the country, the leader is apparently approving of the harsh treatment, claiming boldly that there are “no gays” in his nation. With this harsh human rights violation, Secretary of State Elizabeth McCord (Téa Leoni) attempts to plan a way to provide refuge for the LGBTQ citizens at the behest of her new advisor Kat Sandoval (Sara Ramirez).
Why is Kat so personally involved in this scenario? Because, like the actress who plays her, she is boldly “bisexual and queer” and even raising a child with no discernable pronouns. In this highly promoted episode, she even explains her lifestyle to Chief of Staff Jay (Sebastian Arcelus) as they plan to help the refugees.
The only problem is that this isn’t simply teaching. It’s lecturing and indoctrinating. Even the actress seems to admit that the scene is mostly about telling a majority-heterosexual population that they’re wrong for not knowing the politically correct sexuality terms of the day. We’re wrong for assuming that a woman is a woman, and we constantly need re-education from the liberal elites. That is the only lesson I gained from this very special episode of Madam Secretary.
Karen Townsend was relieved to discover that Stewie didn't actually come out as gay on "Family Guy": "So, despite the description by some in the press that this is a coming-out episode for Stewie, it really wasn’t. Also, remember that Stewie is in pre-school and drawn as a toddler. Sexualizing him at all is perverse." Townsend does know that this is a cartoon, right?
And Dawn Slusher was upset that an episode of "Rise" "featured a Catholic student who appears to be secretly gay, an effeminate priest who supports said student and his desire to take part in a controversial school play over the objections of his parents because he 'can appreciate its message of the perils of living in a repressed society,' and a female student who just started transitioning wanting to change in the boys’ dressing room."